Fundamentals of Fiction Category
There are a lot of revision checklists and guides out there. Just typing the words into a search engine will yield plenty of people with opinions about what you should and shouldn’t cut–and there are a ton of variables. Genre conventions, audience expectations, and use of voice are just a few items that can alter how you revise a story. Therefore, I don’t generally adhere to a certain revision checklist.
What I do adhere to is a content check. Out of everything you do for a manuscript, getting content locked down is the one area where your unique ability to tell a story shines through. A good proofreader can catch your typos. A good line editor can shred your grammar and sentence structure. A good content editor can pinpoint story issues. [...]
Drafting ultimately is up to you. The writer.
You can read all the writing craft books you want, but ultimately, your writing process is unique to you. And that is 100% okay.
There are plenty of books to teach you the “winning way.” Trust me, I’ve read through a ton of them. I’m a massive improvement junkie who is always eager to learn new ways of doing things.
Crank out 5,000 words an hour! No, wait! Five pages a day. How about the “write something every day” method? Surely that works? But what about on days when there’s a death in the family, or you’re revisiting your lunch in the bathroom, or you just can’t find the words? Do you just force it? Maybe not. Maybe you should just slow down. Maybe you should outline more. Maybe you should– [...]
I have a confession: I used to write stories without any structure. At all. Granted, I was a teenager writing for play-by-post RPGs, so the structure was mostly a free-form (and sometimes free-for-all) game of “what crazy thing can happen next?” This made for fun times and fantastic characters, but not for lasting stories. Since that time over a decade ago, I’ve sought to rectify this shortage of plotting knowledge, and in doing so, the student has become a wiser master-student who wants to pass along all of the information she’s learned! [...]
Brainstorming is one of the coolest parts of writing. It’s the dreaming of all kinds of possibilities, whether or not you are writing speculative fiction. It looks at the world around you and says “what if?”
At the same time, brainstorming can be a wonderfully deep and limitless bottomless pit. Edgar the Plot Bunny bears witness to my own overly-ambitious brainstorming. Every single time I write a story or plan a story, I tend to imagine all possibilities–and one story multiplies into two–or ten! [...]